CURATING
Steps (forthcoming)︎︎︎
ARTVERONA, VERONA, IT, 2025
REVIVAL (on view)︎︎︎
FRANCESCA MININI, MILAN, IT, 2025
The Soup︎︎︎
MADRAGOA, LISBON, PT, 2024 - 25
Terrestrial technologies with no hardware︎︎︎NICOLETTA FIORUCCI FOUNDATION, LONDON, UK, 2024
shifting the silence︎︎︎GIANNI MANHATTAN, CURATED BY 2023, VIENNA, AU, 2023
Recent Acquisitions and Eternal Loves, Part II︎︎︎
NICOLETTA FIORUCCI FOUNDATION, MONACO, MC, 2023
you can now enter: notes on immersion︎︎︎
CLIMA, MILAN, IT, 2023
Too Much and Not Enough︎︎︎
NICOLETTA FIORUCCI FOUNDATION, LONDON, UK, 2023
Recent Acquisitions and Eternal Loves, Part I︎︎︎
NICOLETTA FIORUCCI FOUNDATION, MONACO, MC, 2023
Pacífico Oscuro ︎︎︎
DEMO MOVING IMAGE, 2021
This margin will be your vantage point ︎︎︎
GALERIE IN SITU, PARIS, FR, 2020
Fictional protocols and desirable futures ︎︎︎
GARP SESSIONS, BABAKALE, TR, 2020
Ambiente X ︎︎︎
KUNSTRAUM, LONDON, UK, 2019
Conducting Bodies ︎︎︎
EXO EXO, PARIS, FR, 2019
The Insider Outside ︎︎︎
RUPERT CENTRE FOR ART & EDUCATION, VILNIUS, LT, 2018
Grey Cube 113 ︎︎︎ TATE MODERN, MAY 2017
VARIOUS LOCATIONS, LONDON, UK, 2016 - 2017
WRITING
P. Staff in conversation with Giulia Civardi ︎︎︎
CURA Issue 43 ‘Coming of Age’, 2024
SPIT: Tarek Lakhrissi ︎︎︎ Nicoletti Contemporary, London, 2024
Slippery Orchid: Benni Bosetto (IT)︎︎︎
FLASH ART ITALIA, 2024
Slippery Orchid: Benni Bosetto (EN) ︎︎︎
ESSENZIALE STUDIO, 2024
Commissioned by Emanuela Campoli, Milan 2023
Lorenzo Vitturi: Metamorphosis︎︎︎
NATURE MORTE, MUMBAI, 2024
Love Compounds︎︎︎
NERO EDITIONS, 2023
Ndayé Kouagou: Direction,
Direction?︎︎︎
SUNDY, LONDON, 2023
Lorenzo Vitturi: Aventurine, transformations and other stories︎︎︎
NATURE MORTE, NEW DELHI, 2022
Josephine Baker: Outfallers︎︎︎
NIR ALTMAN, MUNICH, 2022
The Sound of the Ocean︎︎︎
NERO EDITIONS, 2021
Iain Forsyth and Jane Pollard ︎︎︎
MO.CO, SILVANA EDITORIALE, 2020
Cao Fei: Blueprints︎︎︎
THIS IS TOMORROW, 2020
Yuri Pattison: to do, doing, done︎︎︎
THIS IS TOMORROW, 2019
Free circulation = free copulation: Eli Cortiñas︎︎︎
Soy Capitan, 2019
Ambiente X (catalogue)
KUNSTRAUM LONDON, 2019
Lizzie Fitch | Ryan Trecartin: Whether Line ︎︎︎
THIS IS TOMORROW, 2019
Q-Rated: Performance, Pirelli Hangar Bicocca︎︎︎
FLASH ART, 2019
Cut to Link: Eli Cortiñas Walls Have Feelings ︎︎︎RUPERT’S FIVE-YEAR-ANNIVERSARY PUBLICATION, RUPERT, 2018
SPEAKING
The ocean as methaphor: exploring the depths of water through the moving image.
8 ALBE, VIDEO ART PROGRAMME, DIMORA DELLE BALZE, NOTO, AUG 2024
Late to the Party: on urgency
9TH CEI FORUM, TRIESTE CONTEMPORANEA, ACADEMY OF FINE ARTS, VENICE, JUNE 2019
On the difference between performance and performativity
Q-RATED, LA QUADRIENNALE DI ROMA, HANGAR BICOCCA, MILAN, MARCH 2019
London Project, Grey Cube 113, and beyond
CENTRAL SAINT MARTINS, UAL, LONDON, NOV 2017
The Cosmos as Pictured by Contemporary Female Artists: research methods
CENTRAL SAINT MARTINS, UAL, LONDON, APRIL 2017