CURATING
you can now enter: notes on immersion︎︎︎
CLIMA, MILAN, IT, 2023
Recent Acquisitions and Eternal Loves - Part I︎︎︎
ON VIEW:
NICOLETTA FIORUCCI COLLECTION, MONACO, MC, 2023Pacífico Oscuro ︎︎︎
DEMO MOVING IMAGE, 2021
This margin will be your vantage point ︎︎︎
GALERIE IN SITU, PARIS, FR, 2020
Fictional protocols and desirable futures ︎︎︎
GARP SESSIONS, BABAKALE, TR, 2020
Ambiente X ︎︎︎
KUNSTRAUM, LONDON, UK, 2019
Conducting Bodies ︎︎︎
EXO EXO, PARIS, FR, 2019
The Insider Outside ︎︎︎
RUPERT CENTRE FOR ART & EDUCATION, VILNIUS, LT, 2018
Grey Cube 113 ︎︎︎ TATE MODERN, MAY 2017
VARIOUS LOCATIONS, LONDON, UK 2016 - 2017
WRITING
Ndayé Kouagou: Direction, Direction?︎︎︎
SUNDY LONDON, 2023
Aventurine, transformations and other stories︎︎︎
NATURE MORTE, 2022
Josephine Baker: Outfallers︎︎︎
NIR ALTMAN, 2022
The Sound of the Ocean︎︎︎
NERO EDITIONS, 2021
Iain Forsyth and Jane Pollard ︎︎︎
MO.CO, SILVANA EDITORIALE, 2020
Cao Fei: Blueprints︎︎︎
THIS IS TOMORROW, 2020
Yuri Pattison: to do, doing, done︎︎︎
THIS IS TOMORROW, 2019
Ambiente X (catalogue)
KUNSTRAUM LONDON, 2019
Lizzie Fitch | Ryan Trecartin: Whether Line ︎︎︎
THIS IS TOMORROW, 2019
Q-Rated: Performance, Pirelli Hangar Bicocca︎︎︎
FLASH ART, 2019
Cut to Link: Eli Cortiñas Walls Have Feelings ︎︎︎RUPERT’S FIVE-YEAR-ANNIVERSARY PUBLICATION, RUPERT, 2018
SPEAKING
Late to the Party: on urgency
9TH CEI FORUM, TRIESTE CONTEMPORANEA, ACADEMY OF FINE ARTS, VENICE, JUNE 2019
On the difference between performance and performativity
Q-RATED, LA QUADRIENNALE DI ROMA, HANGAR BICOCCA, MILAN, MARCH 2019
London Project, Grey Cube 113
and beyond
CENTRAL SAINT MARTINS, UAL, LONDON, NOV 2017
The Cosmos as Pictured by Contemporary female artists: research methods
CENTRAL SAINT MARTINS, UAL, LONDON, APRIL 2017