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Giulia Civardi is a curator and writer based between London and Milan.

Working across art institutions, galleries, and public spaces, she supports artists and cultural workers through exhibitions, commissions, public programmes, and writing, fostering new networks and connecting their work with diverse audiences.

Her projects have been presented at Tate Modern, Rupert Centre for Art and Education, Kunstraum London, Curated by Vienna, and the Nicoletta Fiorucci Foundation, where she currently serves as Curator. Recent exhibitions include The Soup at Madragoa, Lisbon, and REVIVAL at Francesca Minini, Milan—the first in a series exploring intergenerational dialogues across visual art and sound.

Since 2020, she has been Curator and Collection Manager at the Nicoletta Fiorucci Foundation, where she works on collaborative exhibitions, commissions, and collection research and care, with a focus on overlooked perspectives in contemporary art and design. Recent projects include The Second Shadow at ICA Milano (2026).

In 2025, she curated Steps at ArtVerona, a section dedicated to young galleries and experimental art spaces. She is a researcher for Art Workers Italia︎︎︎, and has been part of the curatorial team of DEMO Moving Image︎︎︎. She is also the founder of Grey Cube 113︎︎︎(2016–2017).

She has lectured on art and culture at Central Saint Martins, Goldsmiths University, the Courtauld Institute of Art, the Barbican Centre, the Fine Arts Academy in Venice, and Pirelli HangarBicocca. She holds an MA in Art Theory from Goldsmiths University and a BA in Cultural Studies from Central Saint Martins.

Her writing—spanning essays, fiction, and critical texts—has been published by Marsilio, NERO, Flash Art, CURA., Silvana Editoriale, among others.


︎giulia.civardi7(at)gmail.com




                               “nameless and formless, about to be birthed, but already felt” A. L