WRITING



Iain Forsyth and Jane Pollard
(catalogue text)
 ︎︎︎
MO.CO, SILVANA EDITORIALE, 2020

Cao Fei: Blueprint︎︎︎ (review)
THIS IS TOMORROW, 2020 

Yuri Pattison: to do, doing, done (review) ︎︎︎
THIS IS TOMORROW, 2019

Ambiente X (catalogue)
KUNSTRAUM LONDON, 2019

Lizzie Fitch | Ryan Trecartin: Whether Line (review) ︎︎︎
THIS IS TOMORROW, 2019

Q-Rated: Performance Pirelli Hangar Bicocca / Milano (report) ︎︎︎
FLASH ART, 2019

Cut to Link: Eli Cortiñas Walls Have Feelings (essay) ︎︎︎RUPERT’S FIVE-YEAR-ANNIVERSARY PUBLICATION, RUPERT, 2018

TALKS & LECTURES



Late to the Party: on urgency
9TH CEI FORUM, TRIESTE CONTEMPORANEA, ACADEMY OF FINE ARTS, VENICE, JUNE 2019


On the difference between performance and performativity
Q-RATED, LA QUADRIENNALE DI ROMA, HANGAR BICOCCA, MILAN, MARCH 2019



London Project, Grey Cube 113
and beyond
CENTRAL SAINT MARTINS, UAL, LONDON, NOV 2017


The Cosmos as Pictured by Contemporary female artists: research methods
CENTRAL SAINT MARTINS, UAL, LONDON, APRIL 2017

“nameless and formless, about to be birthed, but already felt” A. L. — CURRENT: Pacífico Oscuro, Camila Beltrán, DEMO Moving Image, 4 Sept - 1 Oct 2021, via demomovingimage.com                    .